Showing posts with label free jazz. Show all posts
Showing posts with label free jazz. Show all posts

Tuesday, February 25, 2014

Razorlegs- Live Cuts (2014)

Live Cuts
I reached out to Fadensonnen a few weeks ago, asking whether we should be expecting a 2014 release (we should, and it is getting pressed to vinyl this time round, so great news!).  When I asked him, in addition to learning that we are, I found out P.D. worked on the side project Razorlegs.  Intrigued, I managed to get ahold of a copy on CD.

Razorlegs area  duo who make free-jazz that often ventures into a more drone-based realm (see "Cliveden Reach").  Over the course of the album, Andrew Hurst jumps from drums/percussion to keyboard and guitars while PD Fadensonnen plays guitar, sax, and stylophone.  Much like when I first heard Zebra Pulse' album last year, I was surprised that this was a live album.  With Live Cuts, Razorlegs often end up making a much larger sound than one would expect from just two members.

If you have heard Fadensonnen's 2012 album, you may not be terribly surprised by the loose guitar structures that come up, but for listeners going in thinking that this will be free-jazz saxophone over drums (as the first track does seem to falsely foreshadow), they will be quickly surprised.  Tracks like "Razorlegs" smash such preconceptions.

For me, the standout track was "Ulrich's Dilemma".  This track coupled interesting percussion with a nice saxophone piece that ended up being much stronger than I expected.

If you want to order yourself a copy of the CD, contact Andrew Hurst.  Check out two tracks Here and Here.

Friday, October 4, 2013

CavityFang-Urban Problems (2013)

Urban Problems
Last year, the small label Table and Chairs Records gave us the great King Tears Bat Trip album.  This year, they released an album by the group CavityFang, a sextet consisting of three drummers, a pianist, a guitarist, and a baritone saxophone.  The nine compositions on urban problems are dark, broding, and filled with enough drum hits to make on think Zach Hill is a member of the group.

The album's opening track may be the worst track on the album, but it is by no means 'bad'.  Rather, it felt as if it served more as a hype piece to prepare the listener.  The track showes off some abstract drumming and improv. guitar as if to say 'this is what the album is about', but the music never really comes to gether as a piece and ends up being nothing more than a hype track for the rest of the album.

Once the listener gets to the second track though, they begin to get an understanding of the sound of the album; a sound that is very hard to describe.  'Dreamzzz' is a jazz groove in a diminished key(if I still remember my music theory accurately, which I almost certainly don't).  It keeps an upbeat pace which completely contradicts the actual sound being played.  This song is strange and slightly unsettling, but it is a good showing of the things to come from CavityFang, who's music always seems to be at odds with itself throughout the record.

Even at their most minimal, CavityFang keep their sound busy.  To them, minimalism is merely turning the volume down lower while playing the same amount.  Even the ambient soundscape made in 'Armadillos' is still filled with shakers and rainsticks.  At their most minimal I would say CavityFang is it's weakest, but fortunately this sound still isn't bad and is very short lived.

CavityFang are at their best when they let their drummers explore different sounds simultaneously.  'Average Shopper' showcases this perfectly.  All of the drums together create an intricate rhythm that works great for the slower baritone saxophone to dance around.

'Prelude to Rara' and 'Rara' both continue to show off how well the drummers can work together.  As my fiance put it, 'Rara' is a "mess of sounds".  To me, this track is a mess of sounds in all the best ways possible.  It is tribal sounding in the drumming and has a focused repetition in the saxophone and guitar which help push the energetic sound that is created, making this track one of the highlights of the album.  It is really a shame this track is so short.

Overall, Urban Problems was a strange trip, but one that I would recommend taking if you are a fan of free jazz or were a fan of King Tears Bat Trip.  CavityFang are able to make contradicting sounds work well together, and the music created for this album shows this.

The album can be both bought and streamed Here.

Friday, November 9, 2012

Aufgehoben - Fragments of the Marble Plan (2012)

Aufgehoben

This was my first experience with Aufgehoben, a noisy free-jazz band who was formed in London about 12 years ago.  Fragments of the Marble Plan is their 5th album, and it is quite a daunting album at that.  While I imagine most will be quite put off by this album, if you were a fan of White Suns- Sinews (2012), but wished it was a little more free-jazz oriented at times, than this album will probably be up your alley.

The album has 2 drummers on it, though the drums are slightly mixed down and have much more of an emphasis on cymbals and hi hats.  Still, the drumming is the only backbone this has holding it together in any form of song structure.

There is no Bandcamp for this up, so one track from the album
Here
and one live track
Here
will have to suffice for now.