40) SD Laika- That’s Harakiri
If you liked the Owne McLean release I just mentioned, but
wish it was completely dissonant and sounded like a slowed down Nero’s Day at
Disneyland then you may want to try this. At its most coherent,
artists like EPROM come to mind; at its most chaotic, it is a bass filled
nightmare which could easily ruin the mood of a party…Ironic, given the albums
obvious influences of the electronic dance music scene.
This is best listened to loud through headphones.
Check out the track “You Were Wrong” Here.
39) John Lake- Carcosa
Carcosa is a great
album that focuses on pulsing drones.
If when you listen to ambient and drone music you really wish delay
pedals were constantly present, than this is probably for you.
The majority of the tracks are over 6
minutes long, with each one starting out slow and building up over time. Additionally though, John Lake proves his
attention to detail in these songs, burying humming and other sounds deep into
the mix; making each listen sound fresh as you catch a new detail hidden in the
sound.
Listen to the album and pick up a CD Here.
I had been waiting a long time for this album. I was excited for another noisy, dance-punk
album from a band who produced the fantastic You’re a Woman, I’m a Machine.
Some would say that is what they gave us (and I guess I agree), but
overall the album felt completely uninspired.
Still, uninspired does not necessarily make the album
bad. On the contrary, if I had never
heard Death From Above I would have been quite impressed. Here though, I waited ten years for an album
that feels like a quickly made follow-up album.
For having this much negative to say about the album, it is
still a great release. The majority of
the tracks continue to carry that signature bass-driven dance room punk sound
that made the duo so famous. If you like
the band, then you should probably get this album, because it will probably be
another ten years before they make another.
Watch the video to the track "Trainwreck 1979" Here.
Watch the video to the track "Trainwreck 1979" Here.
After falling in love with .357 string band, I try to keep
an eye out for modern sounding bluegrass.
That said, this album is no way perfect. Still, it is one of the better
bluegrass albums I heard this year, and the album feels very modest in its
production; as though made only for friends and people who take the time to see
them play shows. If you like Fast Food
Junkies, these guys are leagues better than them.
My main complaint is I wish they had a little more of an
outlaw sound or at least more intensity to their music (like the track “hot
party dads” or “Swarm” does). Still, it
is a fun album that gets the job done in the bluegrass department.
Stream the album and purchase it Here.
Stream the album and purchase it Here.
36) Big Black Cloud-Lessons in Fuck You 2
I already reviewed this album in my Top 10 Noise Rock Albums of 2014 post. Don't really have too much to add except that I'm surprised I didn't make a single reference to the band Big Black or how this group's album was better than Shellac's 2014 effort.
You can still stream this album Here.
35) Luca Lozano- Isolation Distorts
I already reviewed this album in my Top 10 Noise Rock Albums of 2014 post. Don't really have too much to add except that I'm surprised I didn't make a single reference to the band Big Black or how this group's album was better than Shellac's 2014 effort.
You can still stream this album Here.
35) Luca Lozano- Isolation Distorts
Isolation Distorts
doesn’t start out like a traditional house album. Than again, I don’t traditionally think of
house music being album length, or released on cassette. I really don’t know anything about Luca
Lozano: I hadn’t heard of him before picking this up on Tomentosa, and I
haven’t really looked him up since. But,
if tracks like “Extra Telest” and “The Fox“ are any proof, he deserves me
looking into his backlog as well as at any future releases.
Stream Luca's Soundcloud Here.
This is a nice short pop-punk/Midwest emo album. Really no part of it stands out as unique to
the genre, but the album remains catchy and consistent and that is good enough given the genre. Also, ‘Jordan Michael’s Space Jam’ is
probably my favorite track on this album. Since the album is so short, it looks like my review will be too.
Stream and purchase it on their Bandcamp.
Stream and purchase it on their Bandcamp.
I think this is the last ‘experimental electronic’ release
on the list. If you liked SD Laika and
Owen McLean, this is probably going to be up your alley, especially if you have
a soft spot for glitch or footwork. I
feel like every time I listen to this album I switch on whether I love or hate
how the tracks almost collapse in on themselves. In the end, I decided that any album that can
cause me to constantly switch back and forth is probably one that I just hate
to love.
I really need to hear some Russell Haswell collaborations
now, because if this album is any indication, I imagine he would work great as
a collaborating artist.
Listen to some of it on Soundcloud.
Listen to some of it on Soundcloud.
Teeth is a
blackened ambient album by artist John Kolodji.
Reminds me of if a group like The
Body attempted to make ambient, which I guess makes sense. Both 12 minute tracks do a good job at
juxtaposing the dark, guttural drones with natural background noises such as the
bird chirps and what sounds like snapping branches found in the title track.
I missed the chance to purchase the “Dynasty at Ghost Town”
11 cassette compilation from Bathetic Records.
It’s a real shame too, because I have purchased two cassettes from that collection and both are on my top 50 for the year.
Take a listen
by streaming it Here.
Pinched is a Tame
Impala meets Spoon soaked full of reverb and distortion. Oh, and each track has its own art, which is
something I absolutely love about digital files. It’s almost hard to say more about this, so I
think I’ll just leave you with a link.
Listen Here.
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