50) Running Point- Sharpen the Past
Now I’ll admit, this probably isn’t the 50th
greatest album of 2014. But it is a
great ambient guitar album that continually balances reverb amounts with
actually playing the guitar, something I find so many ambient guitar acts tend
to forget about.
This album reminds me of a sunny day drinking and sitting in
someplace with a drought. So, while many
may find this to be too lofi or amateur, I think it does what it does near
perfect, and totally makes the cut.
Take a listen to the album Here, and unless you got a copy of the limited edition microcassette, you're going to have to ask them for a reprint.
49) Greg Fox- Mitral Transmissions
Greg fox has been in some fantastic bands of varying genres. Of those, Guardian Alien is probably my
favorite. For that reason, when I heard
he had a solo album recorded while listening to his own heartbeat
(actual explanation given Here), I figured I’d give it a listen.
Overall, a real good album, albeit way too much of an
emphasis on that steel drum during the first track (the third track, “It’s
Okay” does a much better job of integrating this instrument). However, tracks like “Kardia II”’s ability to
randomly mix in a brief heavy electric guitar feedback after minutes of eastern
music make up for all the steel drum throughout its opening track. Also, the album sleeve is printed on
“growable paper” which is kind of too gimmicky for me, but probably pretty cool
to some people.
There are a few copies left and you can stream the whole thing Here.
48) Run the Jewels- Run the Jewels 2
Something about Killer Mike has never clicked with me. I wasn’t a fan of R.A.P. Music, and really found him to be the weak link on the first
Run the Jewels as well. Sorry Mike.
That said, this album has some great beats, and some of EL-P’s verses
were great. Additionally, Mike ended up
being much more bearable to me because of his verse interplay with EL on some
tracks.
I knew that they were best friends before hearing the album,
and maybe that influenced how I listened, but the whole time I listen to this
album I really feel how well they interplay their verses.
Sure most lists have this probably higher up, but I felt
there were a few filler tracks on it.
Regardless, there is some serious bangers too…Oh, and I am looking
forward to Meow the Jewels (like
everyone else I assume).
Listen to it on their Soundcloud.
47) Strange Mountain- Inhibitions
Strange Mountain sure can pump out albums, given that Marcel
Thee had seven full lengths released this year under the moniker. There is always that debate of whether such a
large amount of output is excessive or unnecessary, usually with the main
argument against it being that if you release that much it wont all be
good. Well maybe I just picked the right
albums to try, but both the Strange Mountain releases I have heard are great
(the other was 2014’s A Quiet Dynasty).
Inhibitions is a
lush feeling ambient/electronic album that sounds almost somber despite how
warm the synths are throughout it. Over
the four tracks, Strange mountain carries a continual, ocean-like hum which
rises and falls throughout. The cover
art really captures the sound of the album to me.
The album can be streamed Here, and there are six copies left as of right now that can be purchased from Here.
46) Tashi Dorji and Frank Meadows- Number Six is Sacred
Number Six is Sacred
is a great improve album. The two play
guitar and upright bass (respectively).
Most likely by that description alone you know whether this is up your
alley or not, but chances are, if you are looking for free-improv and are a fan
of upright bass, you are probably already looking this up. It is also nice to note that the first half
of the album (or Side A on cassette) is acoustic guitar while the other side is
electric.
Well, Here is a link. Also, the packaging of the
cassette is very nice, and totally worth picking up the cassette if you can
find a copy.
45) Jefre Cantu-Ledesma – Songs for Forgiveness/Songs for
Remembrance
This two-album release depicts quite a different side to
Ledesma than the one I was introduced to last year with Devotion. The static soaked
sound of Devotion is gone, and
instead Ledesma continues to explore themes of nostalgia and sentimentality as
we saw in 2013’s Gift of Tongues.
Personally, I prefer Songs
of Remembrance to Songs of
Forgiveness, but they are both pretty good.
Still, on both albums the music tends to leave to quickly between
segments. While I miss the more abrasive
sound as found on Devotion, these
albums are still worth a listen.
Both albums are available to stream Here.
44) MarQ Spekt & Blockhead- JustPlayWitIt
Somehow this album completely missed me during 2014, with me
not finding out about it until just after the new year. After a few listens though, I knew this
deserved to be on the list. Blockhead’s
beats are as good as ever, an MarQ Spekt feels consistent throughout the entire
album.
Really this is how I
want my modern rap. Hard-hitting flows,
strong instrumentation, and a complete lack of skits. If you were a fan of Oh No’s 2012 album,
OhNoMite, tracks like “Breakfast Club” embody a very similar sound.
If JustPlayWitIt went
under most people’s radar last year, Blockhead and MarQ Spekt probably didn’t
get the memo because they were too busy releasing one of the best hip hop
albums of the year.
Stream the album Here.
43) Dope Body- Lifer
Dope Body’s 2012 album, Natural
History, was a strange beauty that has continued to grow on me (though the
first and last songs are still the worst two).
It sits someplace between grunge, Andrew WK, and noise rock. With this album, the noisey aspects have
continued to be removed from their sound (especially compared to their
debut). Still, if you want some great
rock music, this album delivers. That
said, I suggest you avoid the single “Repo Man” as well as the track “Rare Air”.
Overall though, this album is full of prime
cuts that are full of juicy riffs and flavorful songwriting. Think of a fine porterhouse steak, marinated
in sweat and pot. That’s Lifer.
Someone put the whole thing on youtube. Here is a link.
42. Gum Takes Tooth- Mirror’s Fold
Gum Takes Tooth’s follow up to 2011’s Silent Cenotaph continues the two-piece’s movement away from their
prior band, Infants. Here, Gum Takes Tooth continue to move away
from Braniac-styled punk, finding a
sound that is synth heavy and experiments with combining “world” music styles
with western sound.
While I still prefer Infants’
style of sound, Gum Takes Tooth definitely have polished their craft and
made an album that is unique and refreshing.
They have an excerpt of the album for stream Here.
In the past two years there has been a huge surge in
outsider electronic music, with acts like Arca and EPORM getting more attention
than one would expect. That said,
Hitomi’s Diary represents that genre of ‘difficult to define’ electronic music.
The bandcamp page describes it by saying:
I haven’t listened to James Ferraro, nor do I know JG
Ballard, but I’d describe it as the next logical step for plunderphonics.
Stream the album and wish you'd purchased a copy in time Here.
No comments:
Post a Comment