50) Running Point- Sharpen the Past
Now I’ll admit, this probably isn’t the 50th greatest album of 2014. But it is a great ambient guitar album that continually balances reverb amounts with actually playing the guitar, something I find so many ambient guitar acts tend to forget about.
This album reminds me of a sunny day drinking and sitting in someplace with a drought. So, while many may find this to be too lofi or amateur, I think it does what it does near perfect, and totally makes the cut.
Take a listen to the album Here, and unless you got a copy of the limited edition microcassette, you're going to have to ask them for a reprint.
49) Greg Fox- Mitral Transmissions
Greg fox has been in some fantastic bands of varying genres. Of those, Guardian Alien is probably my favorite. For that reason, when I heard he had a solo album recorded while listening to his own heartbeat (actual explanation given Here), I figured I’d give it a listen.
Overall, a real good album, albeit way too much of an emphasis on that steel drum during the first track (the third track, “It’s Okay” does a much better job of integrating this instrument). However, tracks like “Kardia II”’s ability to randomly mix in a brief heavy electric guitar feedback after minutes of eastern music make up for all the steel drum throughout its opening track. Also, the album sleeve is printed on “growable paper” which is kind of too gimmicky for me, but probably pretty cool to some people.
There are a few copies left and you can stream the whole thing Here.
48) Run the Jewels- Run the Jewels 2
Something about Killer Mike has never clicked with me. I wasn’t a fan of R.A.P. Music, and really found him to be the weak link on the first Run the Jewels as well. Sorry Mike. That said, this album has some great beats, and some of EL-P’s verses were great. Additionally, Mike ended up being much more bearable to me because of his verse interplay with EL on some tracks.
I knew that they were best friends before hearing the album, and maybe that influenced how I listened, but the whole time I listen to this album I really feel how well they interplay their verses.
Sure most lists have this probably higher up, but I felt there were a few filler tracks on it. Regardless, there is some serious bangers too…Oh, and I am looking forward to Meow the Jewels (like everyone else I assume).
Listen to it on their Soundcloud.
47) Strange Mountain- Inhibitions
Strange Mountain sure can pump out albums, given that Marcel Thee had seven full lengths released this year under the moniker. There is always that debate of whether such a large amount of output is excessive or unnecessary, usually with the main argument against it being that if you release that much it wont all be good. Well maybe I just picked the right albums to try, but both the Strange Mountain releases I have heard are great (the other was 2014’s A Quiet Dynasty).
Inhibitions is a lush feeling ambient/electronic album that sounds almost somber despite how warm the synths are throughout it. Over the four tracks, Strange mountain carries a continual, ocean-like hum which rises and falls throughout. The cover art really captures the sound of the album to me.
The album can be streamed Here, and there are six copies left as of right now that can be purchased from Here.
46) Tashi Dorji and Frank Meadows- Number Six is Sacred
Number Six is Sacred is a great improve album. The two play guitar and upright bass (respectively). Most likely by that description alone you know whether this is up your alley or not, but chances are, if you are looking for free-improv and are a fan of upright bass, you are probably already looking this up. It is also nice to note that the first half of the album (or Side A on cassette) is acoustic guitar while the other side is electric.
Well, Here is a link. Also, the packaging of the cassette is very nice, and totally worth picking up the cassette if you can find a copy.
45) Jefre Cantu-Ledesma – Songs for Forgiveness/Songs for Remembrance
This two-album release depicts quite a different side to Ledesma than the one I was introduced to last year with Devotion. The static soaked sound of Devotion is gone, and instead Ledesma continues to explore themes of nostalgia and sentimentality as we saw in 2013’s Gift of Tongues.
Personally, I prefer Songs of Remembrance to Songs of Forgiveness, but they are both pretty good. Still, on both albums the music tends to leave to quickly between segments. While I miss the more abrasive sound as found on Devotion, these albums are still worth a listen.
Both albums are available to stream Here.
44) MarQ Spekt & Blockhead- JustPlayWitIt
Somehow this album completely missed me during 2014, with me not finding out about it until just after the new year. After a few listens though, I knew this deserved to be on the list. Blockhead’s beats are as good as ever, an MarQ Spekt feels consistent throughout the entire album.
Really this is how I want my modern rap. Hard-hitting flows, strong instrumentation, and a complete lack of skits. If you were a fan of Oh No’s 2012 album, OhNoMite, tracks like “Breakfast Club” embody a very similar sound.
If JustPlayWitIt went under most people’s radar last year, Blockhead and MarQ Spekt probably didn’t get the memo because they were too busy releasing one of the best hip hop albums of the year.
Stream the album Here.
43) Dope Body- Lifer
Dope Body’s 2012 album, Natural History, was a strange beauty that has continued to grow on me (though the first and last songs are still the worst two). It sits someplace between grunge, Andrew WK, and noise rock. With this album, the noisey aspects have continued to be removed from their sound (especially compared to their debut). Still, if you want some great rock music, this album delivers. That said, I suggest you avoid the single “Repo Man” as well as the track “Rare Air”.
Overall though, this album is full of prime cuts that are full of juicy riffs and flavorful songwriting. Think of a fine porterhouse steak, marinated in sweat and pot. That’s Lifer.
Someone put the whole thing on youtube. Here is a link.
42. Gum Takes Tooth- Mirror’s Fold
Gum Takes Tooth’s follow up to 2011’s Silent Cenotaph continues the two-piece’s movement away from their prior band, Infants. Here, Gum Takes Tooth continue to move away from Braniac-styled punk, finding a sound that is synth heavy and experiments with combining “world” music styles with western sound.
While I still prefer Infants’ style of sound, Gum Takes Tooth definitely have polished their craft and made an album that is unique and refreshing.
They have an excerpt of the album for stream Here.
In the past two years there has been a huge surge in outsider electronic music, with acts like Arca and EPORM getting more attention than one would expect. That said, Hitomi’s Diary represents that genre of ‘difficult to define’ electronic music.
The bandcamp page describes it by saying:
I haven’t listened to James Ferraro, nor do I know JG Ballard, but I’d describe it as the next logical step for plunderphonics.
Stream the album and wish you'd purchased a copy in time Here.